I've just finished drawing up a submissions spreadsheet. I'm determined that this year I am going to Be Serious About This and Actually Submit to Magazines, something at which I'm notoriously bad. This means that there will be fewer poems uploaded to this blog, which means, if I'm to keep it ticking over, that I am going to have to write more non-poetry stuff for it.
For now, however, there is one more poem I want to put on here, because I'm interested in people's thoughts about it. I wrote this last night: I was thinking about the events in France a little over a week ago, and the issue of reacting to religious fundamentalism in general. In particular I was inspired by this very moving blogpost by Sam Ambreen, which set me thinking about my attitude to God. There is something about men shouting about the greatness of God while murdering others which is chilling, whichever God they claim to worship. And of course 'great' does not necessarily mean 'most exceedingly good': it can simply mean big. Containing multitudes.
So I started from that point, and the following poem is what I came up with. I'm posting it here, despite my newly-professed commitment to word-hoarding, because I'm not entirely sure it's finished. What I'm not trying to do in this poem is be another white, Western poet condemning Radical Islam and striking the agreed posture: as anyone who read the entry preceding this one ought to be able to grasp, je ne suis pas Charlie.
I hope this poem reads like what it is - a tentative, throughly-lapsed Catholic attempting to try and understand what drives someone to strap on a kalashnikov and kill people for religious reasons. It isn't meant to be an answer, or a speech. It is meant as a kind of response.
You say your God is Big
You
say your God is big, and you’re not lying:
your
God’s a God who throws His weight around,
from
one side of the planet to the other.
Your
God takes heads, sends towers crashing down:
my
God – the God they brought me up to worship -
my
God can’t make me ditch the booze for Lent.
I’d
like to say my God is almost spent:
but
I’m not trying to terminate a pregnancy
in
Texas. That’s Him, too, my God:
a heavyweight,
like yours. A clubber.
Tremendous
overhand when punching down,
but
slow in footwork these days. Getting old.
Gets
to us all. But your God:
oh,
He’s strong, and big: so big
you
just see part of Him: the fists,
the
snarling jaw, quick to avenge
an
insult, like Whitman’s American:
you
never see the hands untaped,
without
the gloves, cupped
to
cradle children, all unmartial,
almost
feminine: or do you?
Was
it a hungry baby’s cries
your
wages couldn’t satisfy
that
made Big Daddy God seem so appealing?
Did
a life of smiling at the men who killed you slowly
make
you avid for the day you would bark orders
from
the barrel of an AK-47?
Did
you ask yourself my God, what have I
done,
when
you first saw what bullets did to bodies,
or
were you hardened by a life lived under guns,
in
rubble, at the sharp end of the flattened world?
We
cannot know, of course. We have the words
that
you recited to a camera
in
another holy warrior’s hand. A truth,
or
catechism? Form of words
or
credo from the core?
What
would you tell us without the camera,
the
foreknowledge of the act
that
you would justify on film?
Without
the act, the headline – would we listen?
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