Wednesday, 31 July 2024

Insomnia


 

The thing about 'Insomnia', the song, by Faithless, right, is that the late (and I mean genuinely late, not whatever Trump means when he calls Hannibal Lecter 'late') Maxi Jazz was a middle-aged man when he wrote it. Because that song is about what it's like to experience insomnia, the condition, in your forties. The Corrs were right about what it's like at the other end of the age spectrum: 'it really doesn't matter...'cause when tomorrow comes, we can do it all again.' Well, bully for you, kids, but it isn't like that when you're my age. 

When you're my age insomnia is a horrible limbo condition, an eternally recurring purgatory of hopelessness, a merry-go-round of lying down, closing your eyes, trying to sleep and failing because of course you can't try to go to sleep, you either sleep or you don't, there is no 'try', it isn't something you can will yourself to do because the act of willing yourself to do something precludes relaxation, so the carousel goes round again and you get off the fibreglass horse and you sit up and read, or draw, or watch YouTube or play video games to break state, to distract yourself, and if you're lucky an hour later your eyelids will start feeling a little bit heavy and you can lie down, let them close and slip past the nightwatchman but more likely no, psych, you feel the anxiety rising and realise you're trying again after all and the fibreglass horses are laughing at you behind their painted-on eyes and you may as well rise and try another trick and see if that gets you past go, or else you wind up like me, now, heavy-lidded but restless, eyes like pissholes in the snow, too tired to face the day but too wired to wave it bye-bye. Insomnia sucks. 

I should have known this would happen. I was overdue. Anxiety drives my insomnia and this week I've been making some proper moves to try and sort my life out for the first time in ages, applying for things, polishing my resume, arranging meetings to discuss new things I'm working on (of which more in due time, dear reader, I promise) and so with tedious fucking inevitability of course the first night this week I had to relax because I had stuff on the calendar today would be the first night that I couldn't, the first night I wouldn't be asleep by ten and up the next day with the lark. I mean I'm up now, yes, but I already was when Vaughan-Williams' chum came on the scene, not that there's much chance of hearing him ascend above the sound of drunks and sirens in my part of town. But even they can't drown the laughter of the gods who glimpsed my diary. Hypnos, Morpheus, those lords of sleep, those well-known bastards. 

I can't get no sleep. 

Tuesday, 30 July 2024

Copii


When we encounter a friend long unseen,

it is rather like the feeling we have when,

being driven in a car, we mount a steep, short bridge:

a joy leaps up

and takes us by surprise, and we cannot help smiling.


Language can be like this too: we hear words

we have learned but not studied or spoke

in some time, and unexpected recognition

buoys us up, 

and we smile and think ‘Ah! I know you.’


Sometimes we hear the same word, 

or one very like it, in a language which is kin

to one we’ve learned, and a smile even wilder

rises up

to see the other doors our old key could unlock.


I smiled that way in the library,

unexpected and involuntary

when I heard the Roma speaker say

copii

which I knew, in Romanian, means children.


I cried at the translation

Of the words in the sentence I didn’t know:

One thousand. In a lake. Drowned.

(Note: this poem was inspired by a Roma Resistance Day event at the Kittiwake Trust Multilingual Library earlier this year, organised by members of the Roma Holocaust Memorial Initiative, who campaign to build a memorial in Newcastle to the Roma victims of the Holocaust)

Saturday, 27 July 2024

The Late Great Who Exactly?

 


Why does Donald Trump keep going on about 'the late, great, Hannibal Lecter'?

None of the Hannibal Lecter novels feature his death. Neither do any of the film adaptations. Even the Hannibal TV show leaves his end somewhat ambiguous. Of the actors who have played Lecter, only one, Gaspard Ulliel, has died - and given that he played the role in the now largely (and rightly) forgotten Hannibal Rising it seems unlikely that he can be the person Trump is thinking of.

(We can't discount it entirely, however: he did play Yves Saint Laurent in a biopic of the fashion designer, which, Wikipedia reports, 'turned him into a gay icon', so there's at least a non-zero chance that America's Fruitiest President might have seen him in that and checked out his other work.)

For some reason I keep thinking Anthony Hopkins has retired from acting, and for a while I thought this was what Trump was referring to, but then I saw him in the ads for that new Amazon gladiator show and realised that, no, it can't be that either. And Lecter's creator, Thomas Harris, is still with us. 

So why the Hell does he not just keep referring to Hannibal Lecter, but specifically keeps describing him as someone who's dead? 

Maybe He's Just a Fucking Idiot

You're unlikely to ever go wrong starting from this assumption in any assessment of Trump and his behaviour, and there are a number of vectors along which his idiocy could be manifesting here. He's the oldest candidate to ever run for President, and only his most ardent Stans wouldn't admit that when you compare him on the stump now to the man he was even four years ago, you can see that a step has been lost. Maybe he just can't remember the plots of movies that well anymore, especially given his habit of fast-forwarding through the boring bits. He might be under the impression that we definitely, unambiguously see Hannibal die in one of the adaptations. Or he might think Anthony Hopkins is dead. Or maybe Brian Cox? He played Hannibal in Manhunter (the thinking person's Lecter movie), and he also played the Rupert Murdoch analogue in Succession, who died towards the end of that show's final season. You can see why Trump might feel drawn to watching a show about a foul-mouthed tycoon with a family full of horrifically awful and self-centred children, but honestly it's hard to see him persevering with the show all the way. And besides, in one of his bizarre rambles Trump says 'Lecter' - whoever he's thinking of when he says that - was very complimentary about him, while Cox has made no secret about his lack of good feeling toward Donnie Dumbo

Who knows? Maybe he just doesn't actually know what 'late' means in this context. 

So yeah, as always with Trump, stupidity is a distinct possibility. 

Maybe He's Misremembering a Stephen Colbert Skit



This is really a special case of the above theory, but I mention it because I only became aware of the above video while searching for the Vic Berger supercut at the top of this post. The skit itself is a particularly cringeworthy example of the kind of humour libs resorted to to deal with their horror at Trump's election, and honestly you feel bad for Jodie Foster having to be involved in it, but it does feature an instance of someone playing the role of Dr Lecter saying something vaguely positive about Trump - specifically, that the two played golf together and enjoyed a longpig taco bowl 'and a nice diet coke' (I warned you it was cringe). While Colbert was critical throughout Trump's presidency, we do know that reign involved the White House television getting a heavier workout than it had under any other incumbent, and given that Trump was known to stay up until 4am tweeting invective against his haters, there's a good chance he had The Late Show on in the background for part of those sleepless, rage-filled nights (he just like me fr, fr). 


Maybe It's Misdirection

This possibility is even less funny than the Colbert sketch, but given that we know from reporting in Haaretz that Israel ordered the use of its Hannibal Directive on October 7th, is it possible that someone in Trump's circle is encouraging him to go out and ramble on about the fictional killer to try and game Google searches in the hope that fewer people will find out about the Israeli military's very real slaughtering of their own personnel and even civilians? If so it doesn't seem to have been very successful, but it would fit with a trend in politics for at least attempting to throw out chaff to confuse the curious, such as Boris Johnson's bizarre 'confession' to painting cases of wine to look like Routemaster buses (which many people believe was an attempt to push Johnson's association with the infamously dishonest 'Brexit bus' down the search results), or the recent rash of pieces by apparently overexcited British newspaper columnists about how they'd love to have an affair with Keir Starmer, whose timing seems very suspicious to those aware of certain rumours. 


Or Maybe It's Code? 

The thing that keeps nagging at me, though, is the idea that Trump isn't really referring to Hannibal Lecter at all: that, in fact, for his own sick amusement, he's revelling in talking about someone else entirely. I don't know why this possibility keeps pinging away in the back of my head, but it does. Who, though? That's the question. 

Let's consider the character of Hannibal Lecter: a figure wholly without conscience, who presents himself as a man of culture and a towering intellect, a well-connected patron of the arts who regards other people not as complex human beings but mere commodities to be consumed, who delights in corrupting others and sharing his predilections with his fellow avid fans. 


Now, who would Trump know who fits that description?


Monday, 1 July 2024

The Author has been Tweeting




It is three-thirty-three am. The author has been drinking
since last Mothers' Day. The author has been tweeting
since before then, smirking every time she finishes
another little missive full of bitterness and bile. 
Aside from these, the author hasn't written 
in a while. 

The author has stopped taking meetings that she must
attend in person. On Teams or Zoom the author 
hides behind a screenshot, hides her lack of 
makeup, hides the network of exploded
vessels starring up her face like maps
of trafficked merchandise.

Hides the teeth already missing
from her smile. 

The author has the news on in the background,
set to silent. When she sees the news from
Ayiti she screams and turns away, throws
a bottle if a bottle is close to her hand
and empty. It would be their
crowning glory. 

Poor Slavs are good, but she knows
that her clients love black babies
best of all. 

The author has been travelling by yacht
to get round airports more than
customs, and she keeps a well
-stocked stateroom, and the
Wi-Fi signal rarely drops
onboard. 

And, in the middle of the ocean,
tells herself no-one can find her
and ignores the sound
of rotors overhead.